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Oh, btw, BOST's releases of Strike Witches aren't region-locked at all.
Nice post, Scott...I actually find this to be one of the most insightful anime blogs there is due to the once-a-week article format...you should consider doing a piece on moe fans outside Japan.
http://thescott18.blogsome.com/2005/04/26/the-d...
I've written about this "longing for fatherhood" theory several times since then, but I might revisit it some day.
But most of them, with a couple of notable exceptions I do in fact use (BOST/CR and Youtube, when and if region locks are not in place), aren't available to those of us in the unluckier parts of the world.
Not that you really expected someone like me to reply, I suppose, but there it goes.
... I'm a little pissed off right now, but pleased that they're starting to price the whole-series editions (the equivalent of a season here) at a price point competitive with me going out to buy Season 10 of Stargate: SG-1 or Season 4 of Stargate: Atlantis. You've also forgotten about BOST and CrunchyRoll - Gonzo's only real improvement to the experience, IMO, was putting shows on YouTube and CrunchyRoll.... although they've backed into BOST, whic pisses me off somewhat since it's somewhat less friendly than YouTube to buy and view videos, much less iTunes.
As for the fansub thing... I do buy the DVD's. Bandai Visual and Pioneer/Geneon/now-Funimation know all too well. Fansubs are not the be-all and end-all of evil as far as 'anime pirates' go (that distinction belongs to the bootleggers in Hong Kong, Taiwan, and China who don't license the shows and sell them at Chinatowns and street markets all over Asia and North America), and they do tend to make anime known to a lot of people... but again, the industry could co-opt them the way Gonzo was well on its way to, and that Funimation's starting to experiment with, by releasing the shows (or parts of them) for free to allow the sampling that North American audiences don't tend to get even with cable.
Yes, I know you're going to say that all these shows are available on Adult Swim or the Anime Network. I will have to ask you to catalogue them, compare them to the list of anime shows available on Amazon, and then try to see what the percentage is. I'll bet you it'll be under 40% of that is seen... and a lot of it shows up once, then is never heard from again unless it's butchered and reworked like 4Kids does it, or as Nelvana used to with Card Captor Sakura or Sailor Moon.
I own quite a few completely fansubbed series, and I no longer have to sell DVDs on ebay just because I found out I didn't like where the story goes after all - I do have a habit of buying around € 150 worth of anime and manga a month, so I may not be typical though. It means I can't afford splurging on anime which turns out not to be to my taste.
Apart from that the selection of anime here in Germany isn't as good as in the US in the first place, but we're working on it. The manga situation is much better, though.
Another thing that some fansubbers do and which I wouldn't want to miss is bring very old anime which wouldn't make sense to release commercially to non-Japanese viewers - my favourite examples are Touch, Cosmic Baton-Girl Comet-san and Legend of the Galactic Heroes. Or even strange but interesting Japanese TV shows like Phytagoras Switch.
I do think that the recent trend of trying to get DVD or HD quality in fansubs really hurts business, I can't see why the old Xvid or Divx quality isn't enough of a sample of taste before you buy.
These lists are from 2004, by the way:
"Series I bought because I was able to see them fansubbed first:
Kare Kano
Gravitation
Pretear
Fruits Basket
Princess Tutu (2nd Volume is delayed *grr*)
Full Metal Panic
Samurai Deeper Kyo
Sakura Taisen - The Movie
Here is Greenwood
Slam Dunk
Someday’s Dreamers
Saiyuki (first 52 episodes)
Vandread - both seasons
Twelve Kingdoms
Onegai Teacher
To Heart
Mahoromatic
Pretear
Kyo Kara Maou
Angelic Layer
Gatekeepers (although I have sold the last two after I watched them)
Because of Scanlations of the Manga:
Gals
Here is Greenwood
Yamato Nadeshiko Shichihenge/The Wallflower
HanaKimi
FruitsBasket
Kaikan Phrase
Akuma na Eros/ Virgin Crisis
Love Mode
Kizuna
Only the Ringfinger Knows
Kare First Love
Chrno Crusade
Land of the Blindfolded
Pretear
From Far Away
Juvenile Orion"
All I can testify to is the American otaku community, and I will gladly go on record to say that the vast majority of American fansub watchers do not buy the DVDs. I cannot - and will not - say the same about Germans or any other culture.
As I said, I may not be typical ^^.
I won't agree that "most blogs" still do the BREAKING NEWS thing, in hindsight (with my narrow vision of Nano, other rss'd blogs of mine, and my lol oldness in participating in the community) I would say that more anibloggers are being more creative than just blow-by-blow episode commentary nowadays.
And really, if we had the American systems of Netflix, iTunes, and Hulu/BOST/YouTube fully available in this part of the world, I'd be compelled to convert too. Anime licensing turnabout is not as slow as years ago, and selection is still vast. If American anime economy is having a problem with slow DVD sales and strong fansub market, why no counter with those new media systems? I think that similarly with mainstream media, this is a time of transitions. I hope your industry survives it.
Netflix is more friendly for us who like their anime subtitled. I have tried iTunes for anime and just didnt like the restriction to just dubs. What I love about DVDs is that they have the option to switch between the dubs, the subs or pure Japanese. They can appeal to those who like both or don't like either. I like options.
Basically, I really wish other companies would follow FUNimation's example, it's something that needs to be more common.
Sure, there are always exceptions to the rule, but I'll stand by my statement that the vast majority of fansub watchers do not end up buying DVDs. This comes from my own personal experience with myself and all the anime fans I know in real life. I trust that physical evidence a lot more than anecdotal evidence I get from the internet.
I have assumed that because the shows on adult swim are, to my knowledge, aired dubbed, that they are only available online dubbed as well. Is that true?
It was a sacrifice, but honestly, it wasn't that hard of a sacrifice to make. Anime is anime, after all. It's just entertainment. You can actually live without it as a consumer, but for the artists and staff, it is their livelihood.
A majority of the legal stuff online is dubbed, but I did see a few shows like Bacconno and Strike Witches in subtitle.
Everything on Netflix, on the other hand, was either a dub-and-sub DVD ("School Rumble") or subtitle-only DVD ("Emma"). So unless you're trying to get something like Hamtaro or Yu Gi Oh, you'll always have a subtitle option.
I realize not all libraries have extensive anime collections akin to Netflix, but if librarians have evidence the need is there (i.e. patrons request anime be purchased), then libraries will start building one up.
It may be honorable to live an legal viewing lifestyle but there are series that I would not have experienced if I had stuck to such a code of viewer conduct. The comedic gender struggles in Tenshi na Konamaiki and the domestic drama in Aishiteruze Baby became known to me through the local anime club and I found Zettai Shonen through an episodic blog. Although most of the series I have watched through fansubs eventually were brought to the States, I cannot simply dismiss watching any unlicensed material especially if it has been three years and series X has not been picked up. It is impossible to say anything will be absolutely never be brought to the US, thanks to Nozomi and Media Blasters, so I have stopped using that excuse. But I can still say we live in a global economy and one must be aware of trends and the content being released overseas in order to be truly informed about the bigger picture.
Anyway, I sometimes wonder if downloading is really a major part of the equation anymore. Recently, I talked to some US kids (and I cringe when I write this cause I'm not that old!) and they mentioned watching anime, licensed and unlicensed, via a streaming site that was supported by user donations. This was accompanied by a "What, are you in the stone age?" look as well. I would be interested in reading your take on these types of sites as well.
These kids might be talking about Crunchyroll, which was a Youtube knock-off that specialized in pirating both licensed and unlicensed anime shows. The crazy thing about Crunchyroll is that they had created such a huge community of illegal viewers, and then they took that "number of page views" statistic to some venture capital investors and got a lot of money to continue and grow the website.
Those guys got filthy rich because of pirating, and they took that investor money to Gonzo in Japan and ADV in America, two companies on the verge of bankruptcy, and convinced them to allow the site to "legally" stream their videos. They now go around talking about how "revolutionary" they are and how they are getting the support of major anime studios. But all they are doing is exploiting the weak. You will never see profitable companies like Bandai or FUNimation on Crunchyroll because they can afford to say no to their dirty money.
Unless a website is 100% legitimate, like BOST TV is, then they are disgusting pirates only profiting off of the works of others.
Sorry for ranting, but it just pisses me off to even think about them. (-_-)
Though I will say that you left out the many shows that will probably never be licensed that one can only get on fan-sub especially a lot of older shows that really aren't viable anymore.
Though I think you did over look the need when shows will probably never be licensed. Especially older shows that aren't viable to the current market.
Unfortunately, there isn't really any clear answer in the war on fansubs. Fans who don't give a damn about the industry will keep on downloading fansubs as long as they are available. Companies can offer free streaming to combat fansubs all they like, but what sort of money is it making them?
Very good article, great experiment by the way.
If we can get a large group of fans to not only "live legit," but be vocal about it as well, we just might be able to make a dent in the lock that fansubs have on the industry.